2021 has been filled with amazing reads of all categories, and we want to make sure you haven’t missed out on any! Scroll down to see our recap of some of 2021’s fan favorites on BookTok and Bookstagram!
The breakout poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman
Formerly titled The Hill We Climb and Other Poems, the luminous poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman captures a shipwrecked moment in time and transforms it into a lyric of hope and healing. In Call Us What We Carry, Gorman explores history, language, identity, and erasure through an imaginative and intimate collage. Harnessing the collective grief of a global pandemic, this beautifully designed volume features poems in many inventive styles and structures and shines a light on a moment of reckoning. Call Us What We Carry reveals that Gorman has become our messenger from the past, our voice for the future.
Acclaimed author of Ash Malinda Lo returns with her most personal and ambitious novel yet, a gripping story of love and duty set in San Francisco’s Chinatown during the 1950s.
“That book. It was about two women, and they fell in love with each other.” And then Lily asked the question that had taken root in her, that was even now unfurling its leaves and demanding to be shown the sun: “Have you ever heard of such a thing?”Seventeen-year-old Lily Hu can’t remember exactly when the question took root, but the answer was in full bloom the moment she and Kathleen Miller walked under the flashing neon sign of a lesbian bar called the Telegraph Club.America in 1954 is not a safe place for two girls to fall in love, especially not in Chinatown. Red-Scare paranoia threatens everyone, including Chinese Americans like Lily. With deportation looming over her father–despite his hard-won citizenship–Lily and Kath risk everything to let their love see the light of day.
Get Out meets Danielle Vega in this YA social thriller where survival is not a guarantee.
Sixteen-year-old Jake Livingston sees dead people everywhere. But he can’t decide what’s worse: being a medium forced to watch the dead play out their last moments on a loop or being at the mercy of racist teachers as one of the few Black students at St. Clair Prep. Both are a living nightmare he wishes he could wake up from. But things at St. Clair start looking up with the arrival of another Black student–the handsome Allister–and for the first time, romance is on the horizon for Jake.
Unfortunately, life as a medium is getting worse. Though most ghosts are harmless and Jake is always happy to help them move on to the next place, Sawyer Doon wants much more from Jake. In life, Sawyer was a troubled teen who shot and killed six kids at a local high school before taking his own life. Now he’s a powerful, vengeful ghost and he has plans for Jake. Suddenly, everything Jake knows about dead world goes out the window as Sawyer begins to haunt him. High school soon becomes a different kind of survival game–one Jake is not sure he can win.
A slick, twisty YA page-turner about the daughter of a con artist who is taken hostage in a bank heist.
Nora O’Malley’s been a lot of girls. As the daughter of a con-artist who targets criminal men, she grew up as her mother’s protégé. But when her mom fell for the mark instead of conning him, Nora pulled the ultimate con: escape.For five years Nora’s been playing at normal. But she needs to dust off the skills she ditched because she has three problems:#1: Her ex walked in on her with her girlfriend. Even though they’re all friends, Wes didn’t know about her and Iris.#2: The morning after Wes finds them kissing, they all have to meet to deposit the fundraiser money they raised at the bank. It’s a nightmare that goes from awkward to deadly, because:#3: Right after they enter bank, two guys start robbing it.The bank robbers may be trouble, but Nora’s something else entirely. They have no idea who they’re really holding hostage . . .
From the critically-acclaimed author of The Downstairs Girl comes the richly imagined story of Valora and Jamie Luck, twin British-Chinese acrobats traveling aboard the Titanic on its ill-fated maiden voyage.
Valora Luck has two things: a ticket for the biggest and most luxurious ocean liner in the world, and a dream of leaving England behind and making a life for herself as a circus performer in New York. Much to her surprise though, she’s turned away at the gangway; apparently, Chinese aren’t allowed into America.But Val has to get on that ship. Her twin brother Jamie, who has spent two long years at sea, is there, as is an influential circus owner, whom Val hopes to audition for. Thankfully, there’s not much a trained acrobat like Val can’t overcome when she puts her mind to it.As a stowaway, Val should keep her head down and stay out of sight. But the clock is ticking and she has just seven days as the ship makes its way across the Atlantic to find Jamie, perform for the circus owner, and convince him to help get them both into America.Then one night the unthinkable happens, and suddenly Val’s dreams of a new life are crushed under the weight of the only thing that matters: survival.
New York Times bestseller David Arnold’s most ambitious novel to date; Station Eleven meets The 5th Wave in a genre-smashing story of survival, hope, and love amid a ravaged earth.
When a deadly Fly Flu sweeps the globe, it leaves a shell of the world that once was. Among the survivors are eighteen-year-old Nico and her dog, on a voyage devised by Nico’s father to find a mythical portal; a young artist named Kit, raised in an old abandoned cinema; and the enigmatic Deliverer, who lives Life after Life in an attempt to put the world back together. As swarms of infected Flies roam the earth, these few survivors navigate the woods of post-apocalyptic New England, meeting others along the way, each on their own quest to find life and love in a world gone dark. The Electric Kingdom is a sweeping exploration of art, storytelling, eternal life, and above all, a testament to the notion that even in an exterminated world, one person might find beauty in another.